علاقة الفنان السعودي خالد عبد الرحمن بجمهور الأردن تُعدّ من الظواهر اللافتة في المشهد الغنائي العربي؛ علاقة بدأت متأخرة لكنها ترسّخت بقوة، لتصبح من القصص الجماهيرية الاستثنائية في مسيرة الفنان.
عند مشاركته الأولى في مهرجان جرش عام 2023، صُدم خالد عبدالرحمن من حجم التفاعل الجماهيري، وقال في تصريح لوسائل الإعلام: «ما توقعت يكون فيه جمهور بهذا العدد والتفاعل يوم أحد، هذا شيء كبير ما راح أنساه أبدًا». كان المشهد حينها مفاجئًا له: جمهور يحفظ أغنياته عن ظهر قلب، يردد معه «بلا ميعاد»، و«تقوى الهجر»، و«وشلون مغليك» كأنها نشيد وطني مشترك.
وفي حفله الأخير في مهرجان جرش 2025، عادت الحكاية لتتكرر بأضعاف: الآلاف ملأوا المسرح الجنوبي، والأعلام السعودية ترفرف بين الجماهير، وسط أضواء الهواتف والتصفيق والطلب المتكرر لأغنياته. قدّم خالد عرضًا موسيقيًا مميزًا بمرافقة فرقة موسيقية يقودها المايسترو أمير عبدالمجيد، وعبّر في كلمته للجمهور عن امتنانه قائلاً: «هذا الحفل من القلب إلى الأردن».
أما الجمهور الأردني، فقد بادل الفنان حبًا بحب، وهتف باسمه طويلًا، وعبر عن وفائه لفنان «مخاوي الليل» الذي طال انتظاره. بدا كأن العلاقة بين الطرفين تجاوزت الفن إلى شيء أعمق: رابط وجداني نادر.
ورغم أن خالد عبدالرحمن يملك شعبية طاغية على المستوى العربي، إلا أن بعض متغيرات الساحة الفنية أوحت بتراجع زخمه الجماهيري مقارنةً بالجيل الجديد من الفنانين، غير أن الأرقام والشواهد الجماهيرية أثبتت العكس تمامًا؛ إذ لا تزال حفلاته تحظى بإقبال واسع وتفاعل استثنائي، تؤكده مشاهد مثل حفل جرش الأخير، الذي أعاد تسليط الضوء على وفاء جمهور قديم وتجدد ولاء جمهور جديد.
ما بين خالد عبدالرحمن وجمهور الأردن.. علاقة من الدهشة إلى الوفاء المتبادل
4 أغسطس 2025 - 17:45
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آخر تحديث 4 أغسطس 2025 - 17:45
خالد عبدالرحمن
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«عكاظ» (عمّان) OKAZ_online@
The relationship between Saudi artist Khalid Abdul Rahman and the audience in Jordan is considered one of the notable phenomena in the Arab music scene; a relationship that began late but has firmly established itself, becoming one of the exceptional fan stories in the artist's career.
During his first participation in the Jerash Festival in 2023, Khalid Abdul Rahman was shocked by the level of audience interaction, stating in a media interview: "I didn't expect there to be such a large audience and interaction on a Sunday; this is something big that I will never forget." The scene at that moment was surprising to him: an audience that knows his songs by heart, singing along with him "Bla Mi'ad," "Taqwa Al-Hijr," and "Weshlon Maghlyak" as if it were a shared national anthem.
In his latest concert at the Jerash Festival in 2025, the story repeated itself with even greater intensity: thousands filled the Southern Theater, Saudi flags waving among the crowd, amidst the lights of phones, applause, and repeated requests for his songs. Khalid delivered a distinctive musical performance accompanied by a band led by maestro Amir Abdul Majid, and expressed his gratitude to the audience by saying: "This concert is from the heart to Jordan."
As for the Jordanian audience, they reciprocated the artist's love, chanting his name for a long time, and expressing their loyalty to the artist "Mukhawi Al-Layl," whose return had been long awaited. It seemed as if the relationship between the two parties had transcended art to something deeper: a rare emotional bond.
Although Khalid Abdul Rahman enjoys overwhelming popularity at the Arab level, some changes in the artistic scene suggested a decline in his audience momentum compared to the new generation of artists. However, the numbers and audience evidence proved the opposite; his concerts continue to attract a wide turnout and exceptional interaction, as evidenced by scenes like the recent Jerash concert, which highlighted the loyalty of an old audience and the renewed allegiance of a new one.
During his first participation in the Jerash Festival in 2023, Khalid Abdul Rahman was shocked by the level of audience interaction, stating in a media interview: "I didn't expect there to be such a large audience and interaction on a Sunday; this is something big that I will never forget." The scene at that moment was surprising to him: an audience that knows his songs by heart, singing along with him "Bla Mi'ad," "Taqwa Al-Hijr," and "Weshlon Maghlyak" as if it were a shared national anthem.
In his latest concert at the Jerash Festival in 2025, the story repeated itself with even greater intensity: thousands filled the Southern Theater, Saudi flags waving among the crowd, amidst the lights of phones, applause, and repeated requests for his songs. Khalid delivered a distinctive musical performance accompanied by a band led by maestro Amir Abdul Majid, and expressed his gratitude to the audience by saying: "This concert is from the heart to Jordan."
As for the Jordanian audience, they reciprocated the artist's love, chanting his name for a long time, and expressing their loyalty to the artist "Mukhawi Al-Layl," whose return had been long awaited. It seemed as if the relationship between the two parties had transcended art to something deeper: a rare emotional bond.
Although Khalid Abdul Rahman enjoys overwhelming popularity at the Arab level, some changes in the artistic scene suggested a decline in his audience momentum compared to the new generation of artists. However, the numbers and audience evidence proved the opposite; his concerts continue to attract a wide turnout and exceptional interaction, as evidenced by scenes like the recent Jerash concert, which highlighted the loyalty of an old audience and the renewed allegiance of a new one.
