عبدالعزيز متعب أبوظهير، شاب سعودي يمسك بالكلمة من مكانٍ غير تقليدي، ويضعها في سياق معاصر لا يعادي الشعر ولا يُقيده. خرج من دائرة النظم التقليدي إلى فضاء رقمي مفتوح، يعرف أدواته ويُدرك مزاج متلقيه.
تصدّر أخيراً المشهد بعد فوزه بالمركز الأول في مسابقة نظمها نادي الإبل احتفاءً بمشاركة نادي الهلال السعودي في كأس العالم للأندية. الجائزة التي قُدّرت بـ100 ألف ريال، ذهبت إلى قصيدة لم تُبْنَ على المجاز العالي، بل على قراءة دقيقة للحظة، واختيارٍ محسوب للنبرة، ونصٍ يعرف كيف يعبّر عن جمهور الكرة، لا عن الذائقة النخبوية.
هذا الفوز لا يُقرأ بوصفه تفوقاً لغوياً، بل نتيجة استخدام واعٍ لأدوات الشعر داخل منصة تفاعلية، ومخاطبة لجمهور واسع بلغة تحتمل الشعر والانتماء معاً. التفاعل الذي لقيه النص لم يكن مبنياً على عدد الكلمات أو رنين القوافي، بل على حسّ التوقيت، وإدراك أن النص الناجح لا يتحدث من علٍ، بل ينزل إلى الأرض دون أن يفقد وزنه.
أبوظهير في مرحلة انتقالية، لم يغلق على نفسه باب الشعر، ولم يذُب في تيار الترفيه. اختار منطقة متوازنة، يكتب فيها ما يفهمه الناس ويشبههم، دون أن يساوم على حضور المعنى أو صدق العبارة.
بهذا الاتجاه، يتحرّك اسمه نحو مشهد يحتاج إلى أصوات متوازنة، تُدرك ما تقوله، ولمن، ومتى.
#بروفايل
عبدالعزيز أبوظهير.. تجربة تتشكل بهدوء في زمن مزدحم بالأضواء
27 يوليو 2025 - 01:49
|
آخر تحديث 27 يوليو 2025 - 16:36
عبدالعزيز أبوظهير.
تابع قناة عكاظ على الواتساب
سعيد آل منصور SaeedAlmansor@
Abdulaziz Muteb Abu Zahir, a young Saudi man, holds the word from an unconventional place and places it in a contemporary context that neither opposes poetry nor restricts it. He has moved from the realm of traditional forms to an open digital space, knowing his tools and understanding the mood of his audience.
He recently took center stage after winning first place in a competition organized by the Camel Club in celebration of Al Hilal Club's participation in the FIFA Club World Cup. The prize, valued at 100,000 riyals, was awarded for a poem that was not built on high metaphor but rather on a precise reading of the moment, a calculated choice of tone, and a text that knows how to express the football audience, rather than an elite taste.
This victory should not be read as a linguistic superiority, but rather as a result of a conscious use of poetic tools within an interactive platform, addressing a wide audience in a language that accommodates both poetry and belonging. The interaction that the text received was not based on the number of words or the ringing of rhymes, but on a sense of timing and the realization that a successful text does not speak from above, but descends to the ground without losing its weight.
Abu Zahir is in a transitional phase; he has not closed the door on poetry nor has he dissolved into the entertainment stream. He has chosen a balanced area, writing what people understand and relate to, without compromising the presence of meaning or the sincerity of expression.
In this direction, his name moves towards a scene that needs balanced voices, who understand what they are saying, to whom, and when.
He recently took center stage after winning first place in a competition organized by the Camel Club in celebration of Al Hilal Club's participation in the FIFA Club World Cup. The prize, valued at 100,000 riyals, was awarded for a poem that was not built on high metaphor but rather on a precise reading of the moment, a calculated choice of tone, and a text that knows how to express the football audience, rather than an elite taste.
This victory should not be read as a linguistic superiority, but rather as a result of a conscious use of poetic tools within an interactive platform, addressing a wide audience in a language that accommodates both poetry and belonging. The interaction that the text received was not based on the number of words or the ringing of rhymes, but on a sense of timing and the realization that a successful text does not speak from above, but descends to the ground without losing its weight.
Abu Zahir is in a transitional phase; he has not closed the door on poetry nor has he dissolved into the entertainment stream. He has chosen a balanced area, writing what people understand and relate to, without compromising the presence of meaning or the sincerity of expression.
In this direction, his name moves towards a scene that needs balanced voices, who understand what they are saying, to whom, and when.

