السكون والحركة هما درسان فيزيائيان يتم تناولهما في القراءات الثقافية ضمنياً إلا أن هذين العنصرين هما الكنز الذي أقامت عليهما البشرية جداراً لتخبئهما للأجيال المستقبلية، وإن بقيت قصة النبي موسى مع الرجل الصالح معلقة قرائياً من غير الاستفادة من الآفاق المعرفية المستقبلية..
وأثناء قراءتي الدراسات الأسطورية ذكر باحث أن السرديات الكونية تنحصر وتنبع من 23 حكاية فقط، وجميع ما تلا تلك الحكايات ما هو إلا استلهام لها، وأي زوائد حكائية هي زخرفة على الأسس الحكائية الأولى بدءاً من حكاية الخلق وانتهاءً بالملاحم العظيمة التي سجلها التاريخ ثمرةً يانعةً أنتجها الفكر البشري في عهوده السحيقة.
ووقف التغني بالمنجز السردي في استقامته، وبلوغه الذروة عند إشارات ظلّت حمراء لا يجوز تجاوزها كملحمة عشتار أو الإلياذة والأوديسة، أجد أن في هذا التوقف مثلبة معرفية، تضاد حركية الزمن، فإن كانت السردية الأسطورية هي سردية الزمن السحيق فإن معطيات العلم هي سردية الحاضر والمستقبل.
وإن ظللت مؤمناً بذلك التأسيس الحكائي، وأردده في معظم كتاباتي ولقاءاتي الصحفية، الآن أعلن تمرّدي على هذه المحدودية التي ينقضها الواقع الكوني، فالعلم يثبت استحالة السكون، بل إن الحركة هي الأس اللامتناهي، وأن السكون هي حالة حربائية تظهر لنا عن بُعد حتى إذ تعمقنا في النظر إليها غدت سراباً.. وكذلك تكون معطيات الفنون في حالة حركية دائمة حتى وإن ثبتت بصريّاً على أنها ساكنة أو مستعادة لما سبقها من حكايات، ويكفى الانطلاق من الكتب المقدسة ذات السرد المتشابك، ويزيده التأويل تشابكاً لا نهائياً.
والكون مرآة جلية للانفجارات النجمية الآخذة في التمدد، وهذا التمدد إلغاء للسكون، والحكي حركة كونية يقوم بها البشر أشبه بانفجارات النجوم، وكل نجم له ألف حكاية... إذاً، إذا كانت الكلمة في البدء، فهي آخر فعل حركي يحدث قبل حالة البغتة.
تابع قناة عكاظ على الواتساب
Silence and movement are two physical lessons that are implicitly addressed in cultural readings; however, these two elements are the treasure upon which humanity has built a wall to hide them for future generations, even though the story of the Prophet Moses with the righteous man remains suspended in reading without benefiting from future cognitive horizons..
While reading mythological studies, a researcher mentioned that cosmic narratives are limited and stem from only 23 tales, and everything that follows those tales is merely an inspiration from them. Any narrative excess is just an embellishment on the foundational narratives, starting from the story of creation and ending with the great epics recorded by history, a ripe fruit produced by human thought in its ancient eras.
The celebration of the narrative achievement stands firm, reaching its peak at signals that remained red and should not be crossed, such as the Epic of Ishtar or the Iliad and the Odyssey. I find this pause to be a cognitive flaw, contradicting the dynamics of time. If the mythological narrative is the narrative of ancient times, then the data of science is the narrative of the present and the future.
And while I have remained a believer in that narrative foundation, repeating it in most of my writings and journalistic interviews, I now announce my rebellion against this limitation that is undermined by cosmic reality. Science proves the impossibility of stillness; rather, movement is the infinite essence, and stillness is a chameleonic state that appears to us from a distance until, upon deepening our view of it, it becomes a mirage. Similarly, the data of the arts are in a state of constant movement, even if they are visually established as still or reminiscent of previous tales. It suffices to start from the sacred books with their intertwined narratives, which are further complicated by endless interpretations.
The universe is a clear mirror of the stellar explosions that are expanding, and this expansion negates stillness. Storytelling is a cosmic movement carried out by humans, akin to the explosions of stars, and each star has a thousand stories... Thus, if the word was in the beginning, it is the last kinetic act that occurs before the state of surprise.
While reading mythological studies, a researcher mentioned that cosmic narratives are limited and stem from only 23 tales, and everything that follows those tales is merely an inspiration from them. Any narrative excess is just an embellishment on the foundational narratives, starting from the story of creation and ending with the great epics recorded by history, a ripe fruit produced by human thought in its ancient eras.
The celebration of the narrative achievement stands firm, reaching its peak at signals that remained red and should not be crossed, such as the Epic of Ishtar or the Iliad and the Odyssey. I find this pause to be a cognitive flaw, contradicting the dynamics of time. If the mythological narrative is the narrative of ancient times, then the data of science is the narrative of the present and the future.
And while I have remained a believer in that narrative foundation, repeating it in most of my writings and journalistic interviews, I now announce my rebellion against this limitation that is undermined by cosmic reality. Science proves the impossibility of stillness; rather, movement is the infinite essence, and stillness is a chameleonic state that appears to us from a distance until, upon deepening our view of it, it becomes a mirage. Similarly, the data of the arts are in a state of constant movement, even if they are visually established as still or reminiscent of previous tales. It suffices to start from the sacred books with their intertwined narratives, which are further complicated by endless interpretations.
The universe is a clear mirror of the stellar explosions that are expanding, and this expansion negates stillness. Storytelling is a cosmic movement carried out by humans, akin to the explosions of stars, and each star has a thousand stories... Thus, if the word was in the beginning, it is the last kinetic act that occurs before the state of surprise.
